Sutton Foster and Hugh Jackman in rehearsal for The man of music Photo by Julieta Cervantes

Producers today announced that urgent in-person tickets will be available daily for performances of The man of music from 10:00 a.m. on Monday, December 20e, marking the first performance of the highly anticipated new musical. Urgent tickets are subject to availability and will be $ 49 each. They will be available on a first come, first served basis when the ticket office opens each day. Tickets will be limited to a maximum of 2 tickets per person and can only be purchased for that day’s performance. Urgent ticket policy and availability are subject to change.

With two Tony Awards®, Grammy Award®, and Emmy Award®– winning star Hugh Jackman as Professor Harold Hill, and also starring the two-time Tony Award winner Sutton foster as Marian Paroo, The man of musicThe official opening night of is scheduled for Thursday, February 10, 2022 at the Winter Garden Theater (1634 Broadway).

To purchase tickets, please visit Telecharge.com.

The production, performed by four-time Tony Award winner Jerry Zaks, with choreography by Tony Award winner Warren Carlyle, will also star Tony Award winner Jayne Houdyshell as Ms. Shinn, Jefferson Mays as from Mayor Shinn, Marie Mullenas, winner of the Tony Award. Ms Paroo and Tony Award winner Shuler Hensley as Marcellus Washburn. The main cast will also include Remy Auberjonois as Charlie Cowell, Gino Cosculluela as Tommy Djilas and Emma Crow as Zaneeta Shinn.

Daniel Craig, Ruth Negga Photo: Greg Williams

A bigger theater opened for the star to be studded Macbeth, along with Daniel Craig and Ruth Negga, moved from the Lyceum Theater to the Longacre Theater. Ticket holders for “Macbeth” will be notified of a ticket exchange. However, the production notes that customers will have “comparable, if not identical” seats at the Longacre Theater.

Macbeth will be directed by Sam Gold and produced by Barbara Broccoli, The Shubert Organization, Michael G. Wilson and Frederick Zollo. The production will play a 15-week engagement at the theater, with an opening night slated for April 28.

Emilie Kouatchou

Emilie Kouatchou made history in October as the first black actress to play Christine on Broadway when she was cast as an understudy. The role was Ms. Kouatchou’s celebrated Broadway debut. Andrew Lloyd Webber and Cameron Mackintosh announced today that Ms. Koutachou will take on the lead role of ‘Christine Daaé’ in the New York production of The Phantom of the Opera the night the musical celebrates its unprecedented 34th anniversary, Wednesday January 26 at 7 p.m. The current principal lady, Meghan Picerno, will perform her final performance on Sunday evening, January 23 at 5 p.m.

Julia Udine will take over as substitute ‘Christine’. She joined the Broadway production in December 2014, performing there more than 400 times.

Continuing in their roles, Ben Crawford as “The Phantom”, John Riddle as “Raoul”, Bradley Dean as “Monsieur André”, Craig Bennett as “Monsieur Firmin”, Raquel Suarez Groen as as “Carlotta Giudicelli”, Maree Johnson as “Madame Giry”, Carlton Moe as “Ubaldo Piangi” and Sara Esty as “Meg Giry”.

Due to a change in the production schedule, the first look at Second Stage Theater production of Tony Award-winning Richard Greenberg’s play, Take me out , has been rescheduled for March 10, 2022. The Broadway production will be officially opened on April 4, 2022 at Second Stage’s Hayes Theater (240 West 44e Street).

Directed by Scott Ellis, Take me out will star Patrick J. Adams, Julian Cihi, Hiram Delgado, Brandon J. Dirden, Jesse Tyler Ferguson, Carl Lundstedt, Ken Marks, Michael Oberholtzer, Eduardo Ramos, Tyler Lansing Weaks and Jesse Williams.

In the Tony Award®-winner Take me out, playwright Richard Greenberg celebrates the personal and professional intricacies of America’s favorite pastime. When Empires star center fielder Darren Lemming (Jesse Williams) comes out of the closet, the off-field reception reveals a barrage of long-held unspoken prejudice. Faced with hostile teammates and strained friendships, Darren is forced to take on the challenges of being a gay of color within the confines of a mainstream American institution. As the Empires struggle to rally to a championship season, players and their fans begin to question lore, their loyalty, and the price of victory.

Sugar Ray Robinson was pound for pound the greatest boxer of all time. During his 25-year professional career from 1940 to 1965, he was the first winner in boxing history at five division championships (in the middleweight and welterweight divisions). This “King of Harlem” was renowned for his flexibility, power and flamboyant lifestyle outside the ring. His career peaked between 1947 and 1950, before the era of televised boxing, so his style and heritage are less preserved today than those of other boxers, including his admirer, Muhammed Ali. that’s why Sugar ray by playwright Laurence Holder is so important. He picks up on Robinson’s life and boxing legacy in a biographical solo show that is gripping to those who idolized him and enlightening to those who grew up after his time. The play will be screened January 6-23, 2022 at the Gene Frankel Theater, 24 Bond Street, presented by 24 Bond Arts Center in association with Faith Steps Productions and performed by AUDELCO winner Reginald L. Wilson. The theater’s play area will be transformed into a boxing ring for the production.

Robinson was the most charismatic athlete of his age and one of the most graceful and handsome men of all time. He was larger than life, idolized by millions of young African Americans. He is the originator of the modern sports entourage, traveling with a golf pro, a barber, an Arab dwarf who spoke five languages ​​and his signature pink Cadillac convertible. Crowds gathered wherever he was parked. During his first retirement, from 1952 to 1955, he pursued a career as a dancer, opening at the French Casino in New York for $ 15,000 per week. After that, showbiz was down for him. WC sports reporter Heinz quoted a Broadway booking agent as saying, “Robinson was a good dancer, for a fighter. Maybe no other fighter danced so well, but the hallmark of his number was his change of clothes. He looked good in everything he wore. Nonetheless, “Sugar” was probably the first black athlete to establish himself as a celebrity outside of sport. He was a staple of the New York social scene in the 1940s and 1950s, and his glamorous restaurant, Sugar Ray’s, was a destination for Broadway and Hollywood stars.